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Reality TV is not really real. I mean, I have no friends who've been stranded on an island or locked in a house (nor, as far as I know, has that happened to people who don't like me). In contrast, the movie, Courageous, truly reveals the reality of life. This highly entertaining film is about the struggles of fatherhood. Which of us guys hasn't struggled with the boundaries between work and home?

The story centers on a group of law enforcement officers and is filled with action, outstanding humor and at times, some tough emotional moments. At the show I attended, everyone cried. They cried at some tragic moments and at some moments of great relief. At my side was a good buddy who is a successful business pro and strong family man. He & I both walked away with some deeper awareness of how we could be better fathers to our kids and to our brides.

So there are also some distinct learning moments that makes this film much more than just an escape from reality. How often do you have an opportunity to take someone to a movie that has trailing impact on your life? I'll suggest you get some Dads together to watch Courageous and sit down for a meal afterward to talk about what it showed you were doing well, or right - and what you could be working on to better build into your family and their future. Powerfully-told story with an outstanding cast. 

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Watch Sarah Palin: You Betcha! movie free online - download Sarah Palin: You Betcha! movie






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Nick did a great job with this movie. I have been waiting for it to come out ever since I heard about the controversy he was causing in Alaska when he rented the house near Sarah's. I enjoyed the interviews with people who know her, and who have dealt with her in the past. It is really sad that Sarah decided not to appear in the movie, taking part in an interview where she could attempt to clear her name. Nick does do the honorable thing and at least allows her the opportunity to do so, but alas to no avail. With a book coming out on the same topic it kind of makes you wonder perhaps Nick was too easy on her, because from the look of things dear old Sarah has a lot of skeletons in her closet. If she didn't have a nervous breakdown after loosing the election, I am sure she is due to have one in the very near future. Great movie to see for those who want to get an inside glimpse at what makes the women or in this case the hockey mom. I would even recommend it for her supporters so at least if they go in with an open mind might learn something new about there fearless leader. 

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An excellent comedy with terrific horror elements, this was a crowd- pleaser tonight at DIFF, here in Dallas. This is what writing is all about, old-school, when writing actually mattered, over special effects. And there are plenty of those. It is rare that I actually praise an American film, only because we no longer care about writing. It's all about star power without chemistry or talent behind the scenes, just what might make a buck. And, clearly, even clear results do not stop "the machine" from producing utter crud. Relativity Media has bought this gem, but apparently has refused to market it ala Bounty Hunter. This is such a funny film that fits into Bromance, Comedy, Horror, maybe even Indie. Did I mention there's chemistry? Talent? Yup. All there. So, get on it, Relativity! This could be incredibly profitable. Wish my blog had more power to get the word out there. Hope this does the trick. 

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Watch Take Shelter movie free online - download Take Shelter movie





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Take Shelter could be easily renamed to something like Anxieties of living in the 21st Century Western Country. It showcases a rich pallet of phobias, from fear of financial instability, job loss, to anxiety about upcoming environmental apocalypse. Curtis (flawlessly played by Michael Shannon) begins having dreams and visions of bad things happening to him and his family and so he decides to build a huge shelter in his backyard where they can all seek refuge in case any of his dreams were to come true. But following his instincts comes at a price – he loses his job, takes out unstable loan from a bank and destroys his deaf daughter's only chance to undergo a surgery to restore her hearing. The dreams drive Curtis into insanity as he mirrors his behaviour with what once happened to his mother, a victim of schizophrenia.

The moment Curtis admits to himself and to others that he might be going insane, the apocalypse does arrive and so everyone else is forced to agree that something bad was on its way all along. Take Shelter is a very contemporary drama, which would not have been made, let's say, ten years ago. The problems the film presents are mostly influenced by the recession, political divide in nowadays America and environmental problems caused by global warming. The director Jeff Nichols finds a perfect balance between building up the multitude of his main character's anxieties and presenting Curtis's struggle in a believable way. He escapes preaching about the presented issues and makes the sole existence of the problems uncertain up until the very last moment. What is most admirable though is that Nichols avoids religious aspects of his apocalypse and keeps it very close to life, making forces of nature the most vengeful and destructive.

Take Shelter was a rare jewel among the films presented at Sundance. It was beautifully executed (besides the outstanding performances from the cast, music and pictures are also note-worthy) and felt fresh and exciting. 

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If the screening that enraged you so was one of those previews where they hand out cards and have a focus group afterwards you should try to calm down because everything you've said is flat-out asinine. Neither preview was approved by the director, both previews were forced on the director, neither preview represented the movie Lonergan wanted to make and has now finally made, and unless you are familiar with both the script and all the takes in the hundreds of ours of footage, you haven't got the remotest idea whether or not editing can fix this or any screenings, which represented the actual progression of the work he wanted to do, then it's fair to say the movie is not your cup of tea and you will simply have to live with your befuddlement that other people don't all feel that way.  

I'm angry! Why? Kenneth Lonergan, who is responsible for penciling and directing "You Can Count on Me", one of the best pictures of 2000, and helped us learn who Laura Linney and Mark Ruffalo were, has created an indescribable, obliterating, terrible, torturous film. This film, in my opinion, is one of the worst films I've seen EVER.

Anna Paquin stars as Lisa Cohen, an upper middle class high school student who has way too much going on in her mind. The film starts off with "simple" Lisa in school, talking to people, doing normal teenager things when she finds herself on the search for a cowboy hat to wear to go horseback riding with her estranged father. As she goes to many different stores, she can't seem to find the right one or the most fashionable until she walks beside a bus and sees the bus driver (Mark Ruffalo) wearing a hat she likes. A few moments later an accident occurs involving a woman crossing the street (Allison Janney) and the blame, guilt, and despair all kick in at this point and it drags and drags for over THREE HOURS. This movie had the audacity to be that long. People walked out of the theater, groaned at the film, and while that was going on, I made self-inflicting wounds all over my body. That's how bad this film is.

There's randomness such as pornography, masturbation, Anna Paquin screaming, adultery, virginity losing, more Anna Paquin screaming, classroom debates, it goes on and on into the gateway called Hell. This was the biggest wannabe Magnolia meets Crash but rather was Showgirls meets Gigli. I hope every reader of this review sees the film because if I went through that excruciating pain, I want you all to feel it too. It's selfish but I can't comprehend how and why someone could watch that film and say "Wow! What a good movie!" Performances are weak, script is terrible, everything is just plain awful. This is out of contention and if critics like it then I give up. Over three hours is entirely way too long for a movie to make no sense and be that bad. Paquin better get back on the ball or just enjoy that Oscar she has and give up film making. Ruffalo is decent but writing brings him down greatly. Janney is brief but not too bad and the rest of the cast including Kieran Culkin, Matt Damon, and Matthew Broderick are all unnecessary and ill-mannered in this gutless tale of guilt, betrayal, and too many topics that you don't want to bring up because you just don't care to. Wait until you find out the meaning of the title, that's when the downward spiral happens into despair and self-loathing.

It was a pre-screening so they can do a lot of editing but nothing can save the film from where it was brought. "Margaret" is awful, point blank.

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Watch What’s Your Number? movie free online - download What’s Your Number? movie






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OK. First there's something I have to be honest about before you read this. I'm a guy. I like guy movies. Robots, Aliens, Guns. Things blowing up. Zombies I love that stuff. I'm not a romantic comedy kind of person. I've seen a few. I'm not crazy about them. If I were forced to name my favorite romantic comedy it would probably be Goodfellas. There was some, albeit brief, romance in it, and Joe Pesci was very funny in it. It's a romantic comedy. Kind of. So last night I find myself in a movie theater, with my wife, obediently watching 'What's Your Number'. And sadly I have to admit I loved it. I swear I tried not to but I couldn't help it. Anna Faris is cute, she's funny, she's sexy and you can't help but want it all to work out for her. Chris Evans is funny, extremely likable, and I guess if you're female you might like the fact that he's permanently semi-naked. The script is fast-paced and It made me laugh. The director nails the chemistry between the two of them in such a way that makes it impossible not to get emotionally involved. The production values are far above any similar budgeted movie that I have ever seen with crisp cinematography, energetic camera work and color palettes that seamlessly blend costume and scenery. And with Oliver Stone's Editor responsible for the final cut, there is an energy to the film that will drag you along, kicking and screaming if necessary. In fact, the only thing that would have improved it would have been a cocaine-fuelled Joe Pesci with a huge kitchen knife ands a body bag in the trunk. But you can't have everything. Would I recommend it to my female friends? Absolutely. Would I recommend it to my male friends? Of course I wouldn't. They would think I had gone mad. But hopefully they will go and see it regardless. Alone on a Sunday morning if necessary. No-one needs to know. I can guarantee they'll have a smile on their face for the rest of the day. 

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Generic and predicable thriller made somewhat bearable by the undeniable chemistry and acting chops between Daniel Craig and Rachel Weisz, even though both actors involved deserved better than what they were giving with the material. Daniel Craig and Rachel Weisz work very well together on screen ( and supposedly in real life as well) but they should have waited for a better film to showcase their chemistry and acting chops then this film, which not only does not respect their efforts in trying to bring humanity and credibility to a badly written script but does not even try to at least capitalize on their efforts in bringing more to the movie. Instead, the movie goes into several different unnecessary directions that goes no where and drags this film down. Naomi Watts is good as well but i just did not think much about her character and found her an unnecessary, forced inclusion to the story that ruins the film by making it even more predictable than it already is. The film also feels like it was two separate movies before it became one. Its a ghost story then it moves into a mystery with out it making much sense, not to mention the fact of how predicable the whole structure is. Let's just say that you have in fact seen this story before.

Its alright for what it is but it could have been much more, especially with two great actors (Weisz and Craig) having great acting chemistry on screen. 

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Just saw this at an Advanced Screening 2 hours ago in Huntington Beach

This film doesn't have a title nailed down yet. It used to be called I'm with Cancer but IMDb has it listed as Live With It. The title we were shown in the film and the title that was on the invite was Get Well Soon. They asked us our opinion of the titles (Also include was the title Bright Side) but no one really liked any of the titles. So for the sake of confusion I'll call it Get Well Soon.

Get Well Soon is the very believable story of Adam, a 27 year old nice guy who waits at cross walks at 5:30 in the morning when nobody is on the road and other joggers have already trotted past. Adam writes stories for radio programs and seems to genuinely care about the stories and the people who are listening to them. After persistent back pain, Adam goes to the doctor and is diagnosed with Cancer. He is assigned Katherine, a doctorate student who is getting experience for her dissertation, to talk to about his new problems.

This film will immediately draw comparisons to 2009's Funny People which unfortunately can't be ignored. But fortunately, aside from the fact the main character is diagnosed with a terminal illness, this is a completely different film. Where Funny People had a lack of connection with its main character, due to Adam Sandler being a prick to everyone and being rich on top of that, Get Well Soon's Joseph Gordon Levitt is the everyman that everyone can relate to. He does a fantastic job expressing the feelings of calm fortitude as well as isolation. You can see it in his face. It's the little things that make a film feel authentic. Levitt's performance is heart breaking and uplifting at the same time. He maintains a steady calm for most of the film that just feels real. You know this is a dark comedy when there is a Patrick Swayze joke in the first 20 minutes of the movie. I'm not sure if that one's gonna stay in the final cut though lol. This film is very funny throughout. All of the people in the after film focus group said it maintained a perfect balance of comedy and dramatics. I saw Love and Other Drugs and liked it but this film is much more streamlined and has no extraneous scenes.

Seth Rogen is absolutely hilarious. I'll be the first to get my opinion out that Rogen is great in everything he's in but he really killed it again. Weed smoking is given a fantastic treatment by this film, like director Jonathon Levine's previous work the very amusing The Wackness. There are two scenes that are a creative and effective way to show the effects of marijuana. I love the way they shot a conversation between Adam, Rogen and two of Adam's older cancer friends. Anna Kendrick plays a similar role to the one she played in Up in the Air. She does a great job in this too. Bryce Dallas Howard plays Adam's girlfriend and Angelica Huston is his over bearing mother.

I rated this film an "Excellent" which is the highest possible rating and which 18 of the 30 people who stayed after agreed with. 11 said "Very Good" and 1 said "Good." I really enjoyed the film. It didn't really do anything wrong. It might have a bit too much profanity for the older crowd but its central story is so appealing. On that note actually, there were several people who said they would not have come to the screening if they knew full well that it was about cancer. I feel that is so extremely narrow minded that no one should even admit that to a group of people. Please if you are on the fence and "don't want to go to a depressing movie" get over it and see a fantastic, hilarious film in Get Well Soon. 

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Watch Puncture movie free online - download Puncture movie



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In a few short months, moviegoers will get to see Chris Evans fight the evil Red Skull in the big-budget franchise starter Captain America: First Avenger. Before he bursts into the superhero stratosphere, however, Evans has to fight some equally imposing foes in Puncture, a film about drug addiction and health care group purchasing organizations that premiered at the Tribeca Film Festival this week.
Based on a true story, Puncture stars Evans as Mike Weiss, a drug-addicted Houston personal injury lawyer, who — along with his partner Paul Danziger (Mark Kassen, pictured above on the right) — fought to get safe syringes into all U.S. hospitals to prevent health care workers from being stuck with infected needles.
The feature directorial debut of Mark and his brother Adam (producers on HBO’s Bernard and Doris), Puncture is a hybrid film — at once a harrowing tale of addiction and the crippling grip it can have on those in its throes, and a David vs. Goliath legal battle reminiscent of Michael Clayton. At the center of the film is Evans, in a far departure from his comic book work in The Losers and Fantastic Four. He makes Mike both sympathetic and infuriating — the type of guy who has his heart in the right place, but sabotages himself with every popped pill and crack-smoke inhale.
As of this writing, Puncture doesn’t have distribution, but following a well-received Tribeca Film Festival premiere on Thursday night, a timely subject matter and the burgeoning star power of Evans, expect that to change relatively soon. Movieline caught up with Evans and the Kassen brothers in midtown on Friday just before lunch to discuss Puncture, the importance of debuting the film at Tribeca, and just how Evans wound up starring as Mike Weiss.
The one thing I was very surprised by was how recent the events Puncture is based on happened. You don’t really think of dirty needles in hospitals being a problem in the last 15 years — it’s shocking that the safety needles took so long to break through.
Mark Kassen: That’s the thing — the breakthrough in medical science already happened. It’s the mechanism that’s broken in a way that the breakthrough — or something similar — can’t get to people who need it. People say there is not enough electric technology or solar technology or wind technology because it’s not cost-effective. This is not that problem. This is just that mechanism of distribution is broken.
Was this something you were aware of before? How did you guys find this story — did Paul Danziger contact you?
Adam Kassen: Paul sent us the script — Paul sent us a version of the script. Like you, we were surprised by that story. We hadn’t heard this either. Also, at a time — as it continues to be — where health care is at the forefront of the political arena, this was an interesting window on that debate. In particular, our parents are both front-line health care professionals, and in all the debate about health care you don’t really hear too much about those people. So, that connected to us on a personal level. And then the character that Chris played, Mike, was this amazing, brilliant, tragic hero. And we thought if we got the right actor — which we were lucky enough to get — it could be a really special movie.
We got Chris Lopata, who is a friend of ours — a writer we’ve been working with for a bunch of years, who’s great; we worked with him for about a year. We got it to a place where we really loved the script, and we sent it to Chris, and Chris was nice enough to take a meeting. And as we keep saying, we got him drunk, and…
Chris Evans: I signed my life away! [Laughs]
You took Puncture before being cast in Captain America. At the time, were you specifically looking for something more character-driven like this?
CE: I think my team — my agents and managers — know the type of scripts that I like, the types of characters that I enjoy. My team sent me this and said, ‘You’re going to like this. We know you’re going to like this.’ I gave it a read, and I did. Within ten pages, I just loved the character — and then it turned out to be a great story. I was like, ‘This is awesome, I can’t believe this is in my ballpark. This is a possibility for me, no one is going to take this from me.’ I met with these guys, and at the end of the day you need good directors. If you don’t have good directors, it doesn’t matter how good the script or the character is. With them, I felt completely comfortable and confident, and I said, ‘This is great. I can’t believe these guys are foolish enough to just give me this movie.’
As a character, Mike is a departure for you. Are you going to try to do more of these types of roles going forward, perhaps to balance out being a major superhero like Captain America?
CE: Yeah, of course! You gotta. The Captain America stuff is great, it’s fun. I actually do connect to the character; I love that character. But for me, the thing I struggle with on those films is the process. The way the film is made. It’s a very big movie, there’s a lot of waiting around. This film, we shot… 25 days?

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Watch Dolphin Tale movie free online - download Dolphin Tale movie







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Inspirational films are often difficult to review. The movie is inspirational for a reason; therefore, it's usually telling a story of someone making the best out of a bad situation. The problem is that no one wants to be the person to say the movie isn't worth watching. Thankfully, Dolphin Tale isn't one of those movies. Dolphin Tale tells the true story of Winter, a dolphin who due to a very unfortunate accident loses her tail and the group of people who help her to survive despite her handicap.

Director Charles Martin Smith, best known for his roles in The Untouchables and Never Cry Wolf, takes a heartfelt story and presents it just as is. The movie's lead is a young actor named Nathan Gamble, who plays Sawyer Nelson. . Gamble is surrounded by high level talent, which you usually don't find in movies of this type; Ashley Judd, plays Lorraine Nelson, Sawyer's mom; Morgan Freeman, working alongside of Judd for the third time, plays Dr. McCarthy, a VA doctor tasked with trying to create a working prosthetic to replace Winter's tail; and Harry Connick Jr. is doctor Clay Haskett, who runs the Clearwater Marine Aquarium and along with his team is mostly responsible for saving Winter's life. Judd provides an endearing charm as Lorraine, and her enthusiasm shines through. There couldn't have been anyone better to play Dr. McCarthy than the great Morgan Freeman. Freeman gives credence to Dr. McCarthy and, thanks to him not being in the right frame of mind, his dedication to creating a new tail for Winter. The charismatic Harry Connick Jr. gives a stellar performance, providing Sawyer with a role model. Cozi Zuehlsdorf makes her acting debut as Hazel Haskett, Sawyer's best friend. Along with Sawyer, the two of them work together to make some magical happen. Zuehlsdorf's shining personality and adorable smile, along with her chattiness, reminded me of what makes my own daughter so special. Not to be overlooked or forgotten, Winter the Dolphin plays herself and is a wonder to watch.

Dolphin Tale teaches and inspires in so many ways. It teaches us to not judge anyone that may be different; it teaches us that family is forever; it inspires us to be role models; it inspires single parents to keep up the great work; and most importantly it inspires those that have set back to never give up. Winter's story is an incredible miracle. As I sat between my son, who's almost 8, and my daughter who is 5, I couldn't help but well up with tears at the determination of these extraordinary people as they all went above and beyond in the hopes of saving a fish; yes, I know that dolphins are mammals and are not really fish. At the end of the movie, I asked my kids how they liked it and they both said that they loved it. They then asked me how I liked it, and my response to them was "I think that may have been my favorite movie so far this summer." I no longer have to think about it, it IS my favorite movie so far this year.

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I have to admit I'm not what you will call a fanatical worshipper of Pearl Jam's music enough to compel me to watch what would be THE documentary this season with a single session, simultaneous screening around the world where PJ fans will likely already have made a beeline for. Instead, I'm a bigger fan of writer-director Cameron Crowe than the subject matter of his documentary (ok, so this sounds a little bit blasphemous), given that it's been years since we last saw a Cameron Crowe film hit the theatres, although that wait will soon be over by the end of this year with the release of We Bought a Zoo.

Pearl Jam 20 chronicles the beginnings of the band back in the year 1989 where Jeff Ament and Stone Gossard came together after the demise of their band Mother Love Bone, and like all successful bands that came before it, was subjected to recruiting and changing of members until the perfect chemistry was achieved, culminating with frontman Eddie Vedder, with his distinct growling voice, joining the band, and together put alternative grunge music on the radar of music everywhere. Sure there were many others in the same vein since the 90s was the era where this sound had taken the world by storm, with what would possibly be the largest rivals to Nirvana before Kurt Cobain's passing.

You can probably read a lot more details on the band from its Wikipage, and Cameron Crowe's film digs through large treasure troves of archival footage from television newsreels to more independent, off the cuff capture of the band's early years, that we get to witness the second earliest band performance ever and plenty of other home made videos that expectedly get pixelated for the big screen. Crowe's background as a music journalist being a tremendous factor in the crafting of this film, where in lesser hands would have been relegated to the standard talking heads interviews, and to stuff the film with chock full of music videos and live performances from the band's tours around the world.

Instead, Crowe provides the narration, and shares interesting nuggets of information through what would be a largely chronological format without overwhelmingly bombarding the audience with too much information. Being on close terms with all the band members and collaborators also allowed for unfettered access to more intimate and honest interview answers, with the utilizing of milestones in the band's career to timestamp the feature, including their courtroom lawsuit with Ticketmaster. But with everything crammed into two hours, expect some areas of focus to be skimmed through as Crowe paced his documentary at breakneck speed to cover as much ground as possible, mixing it up quite a bit with comedy, pathos, and allowing the many visuals both moving and static to breathe and tell a story.

It's about the capture of a phase of growing up, where looking around I see folks around my age group (or older) who had grown with the band in the 90s when we were in our teens where music played a large part in our lives, as we shift through the sands of time with the identification of many songs from the band's discography, where I didn't even realize that Daughter was supposed to be called Brother initially, and listening to Vedder actually sing it that way during a practice on the tour bus, is reason enough amongst others why fans just have to watch this, and perhaps reminisce the times where they had seen their idols perform on stage during one of the many concert tours done worldwide at the peak of their popularity.

And that is if a theatrical release gets secured soon, which I suspect would be the case given the sold out, one off screening. Watch for it! 

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Thunder Soul' chronicles what might have been the greatest high school stage band of all time. Back in the 70s, high school stage bands were all the rage but most of them consisted of students from white communities. Along comes music director, Conrad O. Johnson (aka "Prof") at inner-city Kashmere High School in Houston, Texas, who put together an all-black band that ended up outshining even the most talented white high school bands in the country.

The documentary is not only about the past but features the reunion of Johnson's students in the present, who came back to Kashmere High School to perform for their beloved teacher, now in his early 90s. The now middle-aged alumni are overjoyed to be back in their old haunts and to greet one another, as some haven't seen each other in 30 years. Some of Prof's students haven't picked up an instrument for years so it takes some of them a few weeks of rehearsals before they're ready to perform before an audience.

'Soul' features interviews with the former students who all testify to the lasting influence Conrad Johnson had on them. Johnson was a no-nonsense pedagogue who stressed the importance of upright character. He insisted that the students always set a good example since they were representing both the school and their community. Because of Johnson, according to some of his students, if it wasn't for him, they might have ending up immersed in a life of crime. Instead, their lives all went in a positive direction.

Thunder Soul features some great footage of the band performing in their heyday. One particularly fascinating segment is when the band wins a nail biting high school stage band competition in Alabama. The band also got to tour all over the world including Europe and Japan and the former students speak of their own feeling of awe when they set foot outside the United States for the first time. There are also interviews with Johnson from back in the 70s as well as the time when the documentary was made.

The documentary is ever so poignant since Johnson was hospitalized a few days before the reunion concert was scheduled. Somehow, the very frail ex-musical director, is brought to the high school in a wheelchair, and gets to see his former students offer up a sensational smörgåsbord of funk/jazz hits (mostly written by Johnson himself) that they used to play in the 70s. As it turns out, Johnson passes away just two days after the reunion concert and his funeral is a sight to behold—replete with rousing eulogies and celebratory musical selections.

There are still questions I have about the documentary which puzzle me. How were the former students able to take so much time off from their regular jobs, fly to Houston, and participate in rehearsals? For those who hadn't picked up an instrument in years, how were they able to perform so well during the performance? Were there any musicians who were not part of the original stage band, performing at the concert? What did Johnson do after he was forced to retire? And finally, we're told that a new Kashmere Alumni Stage Band has been formed. I'd be interested to know which former students are participating in the new band and where can we find out where and when they'll be performing.

A few years before the documentary was filmed, a compilation of the Kashmere Stage Band's music was put together by Stones Throw Records. The company's founder is also one of those interviewed who provides additional, interesting information about the music and era in which it was created.

While 'Thunder Soul' sometimes feels more like a 'yearbook' for those who attended Kashmere High School at that time, the documentary provides the great service of reintroducing music to today's public that doesn't feel dated and a positive role model for the youth of today who aspire to do something positive with their lives. 

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Watch Killer Elite movie free online - download Killer Elite movie







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You know from the get-go that if a movie like this claims to be based on a true story, it is anything but. Loosely based on a book by Sir Ranulph Fiennes, Killer Elite is essentially a Jason Statham vehicle that his fans will enjoy.

In 1980, Danny Bryce (Statham) is an assassin who quits after killing a target in front of his young son in Mexico. After a year away from the bloody business, he lives quietly in rural Australia, when his friend Hunter (Robert De Niro) is taken hostage by Sheikh Amr (Rodney Afif), who looks a lot like Osama Bin Laden. In Oman, Danny is given the mission to assassinate and get confessions from three SAS soldiers who killed his sons during the Dhofar Rebellion. If he fails, Hunter dies, but if he succeeds, Hunter will be freed and he will get $6 million. As Danny and his team start hunting down these men, a secret society of ex-SAS soldiers become worried about the death of their former companions and get their enforcer, Spike (Clive Owen), to investigate and stop the assassinations.

Killer Elite is basically The "Bourne" series if it was louder, dumber and bloodier. Most of the action is shot similar to Paul Greengrass efforts using shaky cam, tight close-ups and quick editing. It is similar in tone because of its intelligence espionage setting, but not done as well. Director Gary McKendry shoots in a gritty style, very much like a 1970s thriller or Tony Scott's Man on Fire, but that gritty tone is undermined by silly scenes such as the meeting of the Feathermen club, which uses terrible dialogue to explain their origins. It was really clunky seeing as their men know each other.

This movie has a number of action thriller clichés: a job that goes wrong, an assassin forced to leave the underworld and forced back into it when a loved one is kidnapped, and the timeless killer with a conscience so that innocent people do not get hurt. It is hardly an original action movie, but there are at least some fun shoot-outs and chases.

Because of the period setting, the use of a shadowy organisation and the involvement of a real person, Killer Elite reminded me a lot of another Statham movie, The Bank Job. Its style and look makes Killer Elite "The Bank Job 2" in all but name. Fans of The Bank Job will get a kick out of this movie.

De Niro is in this movie for the paycheck. He gives a phoned-in performance and it shows with his little screen time. Statham is his typical gruff self, but that is what he is good at and he is always impressive in a fight scene. Owen is the best performer in a movie filled with average performances.

Overall, Killer Elite is a loud, typical action thriller that is not going to set the world alight, but it is still entertaining for Statham fans. 

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"Machine Gun Preacher" is an inspirational melodrama directed by Marc Forster and starring Gerard Butler, Michelle Monaghan and Michael Shannon. This film is based on the true story of Sam Childers a former gang biker who finds god, becomes a pastor and has dedicated his life and all his resources ever since to rescuing and protecting orphans in Sudan, Africa. Childers founded Angles of East Africa an orphanage located in South Sudan.

Marc Forster has under his belt an impressive resume with films like Quantum of Solace, The Kite Runner, Finding Neverland and Monster's Ball.

Reviewing this film has been very complicated because of its subject matter. The movie has a strong religious subject, addresses the civil conflict and severity of the crisis in Sudan, ideals, hypocrisy and religious fanaticism. This film will divide Christian audiences because of the redemptive arc of the tale.

This is one of those movies that will provoke both sympathy and aversion. Sam Childers (Butler) is not an ordinary preacher; he carries a machine gun and kills LRA rebels in self-defense looking at it as helping God's children. Sam had a troubled life, was a gang member, drug dealer, junkie, married a stripper, but his life dramatically changes around when he finds god or god finds him, as he states in the movie. He claims to be a soldier fighting for freedom and becomes a member of the SPLA (Sudan People's Liberation Army).

Mark Foster does a good job bringing such a complex and controversial story to the big screen utilizing his well-known visual skills. This movie has a lot of graphic and violent scenes, showing the horror caused by a civil war, torture, savage murders, and how entire villages are destroyed.

MPAA rating: R Runtime: 2:03 mins Production Co: Relativity Media, Virgin Produced, Apparatus Productions 

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Watch Abduction movie free online - download Abduction movie








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One of the many flaws I hear critics address when speaking negatively of a film is when they can't identify with the characters in it. I, too, struggle to enjoy a movie when I have nothing in common with these fictional people trying to win over my sympathy. Take Horrible Bosses, for example. How am I supposed to worry about Jason Bateman's financial stability when my dad buys everything for me? Or what about Avatar, for that matter? Who cares about the continuity of a species that isn't our own? We cut down the wildlife habitats of owls and chipmunks everyday! Thankfully, after a long and treacherous journey, I've found Taylor Lautner. This is a celebrity who I can finally relate to and confide in with my trust. His nasally and high-pitched line readings remind me of myself when I use baby talk to manipulate my boyfriend into getting me chocolate. They even let his character, Nathan, have an Ipad; because anyone who IS anyone has one too…like I said, stuff I can relate to. If the six weeks Heath Ledger spent at a secluded motel made his performance in the Dark Knight what it is, I guess Taylor Lautner is an even BETTER actor for the all the months he spent lifting weights.

But Taylor can't take all the credit for this movie's charm. You've also got…um…that girl from The Blind Side, who was also...uh, the hostage in Priest.

*looks up name*

Lily Collins has given me hope for the future of young talent in Hollywood. Her Blind Side co-star, Jae Head, on the other hand, seemed way too comfortable in front of the camera. Doesn't he know that this far-too-realistic and overly confident presence will never get him on the Disney channel? But I digress. Back to the original subject, Lily Collins is everything we want from a leading lady: being pretty. There are no offbeat features or inner demons about her we have to endure while action falls to the wayside. All she has to do is run when Taylor runs and act just as horny for him as he is for her. It's relieving to know that Lily just so happens to be the daughter of musician, Phil Collins. As Miley Cyrus and Jaden Smith have shown us, the most promising stars of tomorrow tend to thrive off of their parent's former glory. Had it not been for them, we'd have to endure the likes of Joseph Gordon Levitt and ugh, Emma Stone. How did these two ever manage to score roles in two of next summer's biggest superhero films? One minute they seem comedic and all-knowing and the next, they show their vulnerable sides – it's just too much to process.

I also like the story of Abduction. Eric Bana's character in Hanna was an idiot! The wilderness is the first place the government will look to find you and the superhuman teen solder you're hiding…especially after you deliberately activate a tracking device that links them to you. Maria Bello and Jason Isaac's philosophy of hiding their kid, however, was brilliant. Since flaunting their son in public school and a million dollar glass house would be the last possible thing that bad guys would suspect them of doing, I'm stilled stunned their plan of doing exactly that failed to work. And despite Abduction's role of a thriller, it still doesn't let up on allowing its characters to progress. Never mind the fact that the people who've acted as Nathan's parents for the majority of his life just died in front of his eyes and he's still being chased by the blood thirsty organization responsible for their deaths. When you're alone with a hot chick on a train, you DO her! Now that's progression!

My deepest appreciation also goes toward the actors from Harry Potter, Spider-Man and Alien for taking the back seat on this film. Sure, they were the stars of the show back then but the world spins round. How would Hugh Hefner be able move forward if he didn't keep picking younger and younger women to take advantage of? They aren't exactly in the position to do excessive par core while wearing a Pirates jersey - which looks SUPER cute on Taylor, BTW ;) Speaking of which, I know people are accusing Abduction that it wouldn't have used par core had it not been for Casino Royale but--- oh, text from Jenny. I gotta take this.

In conclusion, Abduction is the first great September release since Shark Night. I know, it's been so long! Films like The Town and Drive have made the month a notorious dumping ground of cinematic sewage...to me. Abduction, on the other hand, is a pleasant surprise with unchallenging dialogue, attractive leads and a familiar story arc. Because that's how you're supposed to feel while watching a suspense movie: SAFE!

Edit: To the 13-year old girls spending their nights clicking the "no" button underneath each negative review, thank you for further proving my point regarding your disregard of other people's opinions. As the review itself was supposed to use reverse psychology to expose the materialism and superficiality found in Taylor Lautner's fans, not only have you succeeded to show how stupid you are, but that you must have only seen seven movies in your lifetime if you think this is worth defending.
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Watch Moneyball movie free online - download Moneyball movie





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I have another rare chance to catch a film more than a day before it's national release. Usually when this happens there's a horde of folks queued up. When the doors to the theatre open, phones are sequestered, and a rush is put on to find prime seating. Those were movies starring a bunch of… well less than household names. Surely a sneak to see a Brad Pitt movie would be even more chaotic. Unfortunately the waning popularity of America's pastime is as much of a deterrent as a movie star and free entertainment are agents of attraction.

Billy Beane (Brad Pitt) is a former major leaguer turned general manager of the Oakland A's. After losing in the playoffs to the Yankees, the A's lose their stars to free agency. Billy is tasked with rebuilding despite a payroll that leaves the A's trailing the competition.

While going through the usual motions, Billy happens by Pete Brand (Jonah Hill), an economist who may have found a way to scout baseball with the efficiency the A's need. The two delve in head first, and despite some tough outings they never back down.

Pitt is at the top of his game. As an everyman—or at least one that isn't played up as wealthy, a man struggling to keep his job—frustration is clearly seen in Pitt's face. Pitt brings humanity to the ominous job of a general manager. Flashbacks of his stint in "the show" surmise his entire life, be it his divorce or relationship with his daughter Casey (Kerris Dorsey).

Moneyball is not the action-packed sports outing one may be expecting. Director Bennett Miller spends very little time focusing on the game of baseball, or even the personalities of the players. Moneyball is a movie about management. Its deadpan, forthright approach is fresh compared to the typical underdog story filled with home runs and stolen bases. There's no electrifying music or thrilling speeches, but the excitement found in a phone call is realized as well as one could imagine. I don't think any actor other than Hill could pull of his slowly clinched fist.

Like the good sports films, Moneyball shares a deeper meaning than simply winning. Immediately the value of loyalty comes to mind. The sports genre is changing, much like how the crew of this story changed talent scouting. Just last year a movie rose up about the struggle to manage a boxer, and now here's the struggle to manage a team.

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Watch Johnny English Reborn movie free online - download Johnny English Reborn movie






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Johnny English is back! The film kicks off swiftly indeed, with English being retrained for service. If there is one impressive thing, the pacing is spot on. Whilst the first film lent more towards witty dialog, Reborn relies more on visual gags. Standout sequences include English on a gadget powered wheelchair racing down the streets of London, along with the majority of action scenes. The chair gag in Mi7 is also most welcome. The music composer must be commended for a rousing score, frequently referencing the Johnny English Theme, particularly during the splendid opening titles sequence. The cast is solid, particularly Rosamund Pike. Whilst Ben Miller does not appear unfortunately, Daniel Kaluuya does an average job of replacing the sidekick role as Agent Tucker. The other performances are pretty spot on.

Overall Oliver Parker and Rowan Atkinson have made a fun, entertaining film, barely missing the heights of the first adventure. Stay for the after credits scene! 

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Watch Moneyball movie free online - download Moneyball movie






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The story of Oakland A's general manager Billy Beane's successful attempt to put together a baseball club on a budget by employing computer-generated analysis to draft his players. 

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